And thus I clothe my naked villainy With odd old ends stol'n out of holy writ; And seem a saint, when most I play the devil. William Shakespeare, Richard III Neill, Michael. Shakespeares Halle of Mirrors: Play, Politics, and Psychology in Richard III. In William Shakespeares Richard III, edited by Harold Bloom.
New York: Chelsea House, 1988. Examines the idea of theatricality in the play. Neill argues that Richard, like Hamlet, is an actor in the dramatic events that surround him.
Richard speaks these lines to the audience at the beginning of the play. His speech serves a number of important purposes. It sets the scene, informing the audience that the play begins shortly after the death of Henry VI, with King Edward IV Through the introduction of morality in Richard III and the reshaping of the value in Looking for Richard, the constructs of morality from the two distinctive contexts are accentuated and we are able to gain a deeper understanding of Richard.
Manipulation greases the wheels of Richard III. Richard is constantly manipulating characters around him in an acrobatic performance of subtlety and wordplay. Richard is constantly manipulating characters around him in an acrobatic performance of Thesis Statement Essay Topic# 3: The Role of Intelligence, Wit and Wordplay in Richard III.
Many of Shakespeares plays include a fair bit of word play, and Richard III is no exception. However, it seems that Richards intelligence and quick wit get him out of troublesome situations quite often. Shakespeare's Richard III is a play pervasive in figurative language, one of the most notable being the symbolic image of the sun and the shadow it casts.
In an examination of a short passage from the text, it will be argued that Richard is Shakespeare's Richard III from the sotitled play shares